by Agnieszka Gralińska-ToborekContinue reading From activism to fine art
On December 18 the Kings of Spain, accompanied by the Minister of Health, the president of the Madrid Region, the mayor of the capital of Spain and other representatives of institutions, unveiled the monument “The Tree of Life” a sculpture by Jaume Plensa.Continue reading The “great” and “important” are also wrong
Christo (Christo Vladimirov Javacheff), dead in 2020 and Jeanne-Claude, proposed in 1975, dead in 2009, one of their interventions on the Monument to the Colon of Barcelona. As they point out on their website, “All the unfinished projects of Christo and Jeanne-Claude failed because permission was denied with one exception, the Monument wrapped in Christopher Columbus, Barcelona Project, which began in 1975. Having received two denials, permission was granted by Pasqual Maragall, the mayor of Barcelona, in 1984″.Continue reading An occasional wrapped monument
Elke Loeffler (Senior Lecturer at the University of Strathclyde, Scotland, and Director of the non-profit organization Governance International.) and Tony Bovaird (Emeritus Professor of Public Management and Policy at the University of Birmingham, UK, and Chief Executive of Governance International), are the editors of this new book by Palgrave.Continue reading The Palgrave Handbook of Co-Production of Public Services and Outcomes
An urban perspective of the pandemic in Panama
José Antomio De Gracia
The following essay seeks to highlight the effects of the pandemic on the way we inhabit and build cities. We understand that before the outbreak of the social-health crisis of COVID-19, as in many places in Latin America, Panama was at a time when its urban, social and economic model had entered a phase of exhaustion and is now escalating at an even higher level. The pandemic has revealed the negative effects of urban sprawl, segregation of housing and disappearance of public space that now become an obstacle to controlling the spread of the virus.Continue reading Tactical urbanism for the pandemic
“Operation Mercedes”: Monument to solidary citizenship
Jordi Henrich, Antoni Remesar
The COVID19 pandemic, which is wreaking havoc on global public health, has also meant the adequacy – temporary so far – of the work procedures in university education, both in what affects the teaching and in relation to to the activities to be developed by the students.
The program of the Project Workshop subject of the Master in Urban Design at the University of Barcelona, planned to focus the project activities on what we can call “Operation Mercedes”, a private urban regeneration project in the Barcelona’s neighborhood of Bon Pastor, consisting of converting 90,000 m2 of the former Mercedes-Benz factory site into a residential and office complex.
According to the General Metropolitan Plan (1976) in force in Barcelona, this site is classified as 22a, that is, “Industrial Zone” and since 2007, when Mercedes-Benz stops operating in this factory, it has been one of the few reindustrialization areas in Barcelona . Its sale to the investment group Conren-Tramway, at the end of 2018, once again resuscitates neighborhood fears about the use of these 9 Ha.
Within the framework of the research project HAR2017-88672-R. and the collaboration agreements with the Bon Pastor’s neighborhood association, for a few years we have been introducing themes of public space in the territory, in the subject “Project Workshop” of the Master in Urban Design. Two goals. The first one to explore ideas for solving problems regarding public space with students -mainly foreigners-, operating the Workshop as a “Laboratory of Ideas” while this activities serve as non-curricular practices. Second objective: to contribute project ideas to the residents of Bon Pastor for the management and negotiation of the various actions to be carried out in the neighborhood.
For this reason, the Workshop work for the 2019-2020 academic year was planned to explore the possibilities of public space in this new Urban Regenration operation. The works of the workshop are developed in multidisciplinary teams responding to the previous training of the students.
When the confinement in Spain is decreed in March, we saw almost impossible the development of the planned activities in an online mode. That is why it was decided to vary the topic, focusing it on a Monument to Solidarity Citizenship -which will allow a more individualized approach to work-, but maintaining the territorial reference of the Mercedes-Benz site.
Barcelona; Bon Pastor; Citizenship; Solidarity; Monument; Operation Mercedes; COVID 19
Maria Augusta Barreiro
The COVID 19 pandemic, detected and officially notified on December 31, 2019 in the Chinese city of Wuhan, has left to date: 408,481 deaths and 7,174,925 infected distributed in 188 countries of the world, of which the most affected are : United States, United Kingdom, China, Spain, Italy and Brazil, according to the latest data from Johns Hopkins University (June 2020). In the short term, this pandemic has become the leading cause of death, surpassing malnutrition, homicides, cancer and other serious diseases.
In this context, the majority of countries declared a state of health alert, being mandatory. During the months that the state of absolute isolation lasted, the old cinematographic technique called split screen (split screen), starred in an unexpected resurrection, becoming the vehicle that allowed us to communicate but also to create and consume culture.
The split screen or “split screen” is undoubtedly one of the most prominent protagonists of the corona virus pandemic that humanity faced as of December 31, 2019, when the news of this was officially notified serious illness from the Chinese city of Wuhan. Almost as old as the cinema itself, the split screen became the tool that allowed us to feel the closeness of our families, work colleagues, fellow students and teachers. It allowed us to express our solidarity, support and company in moments as complicated as those we lived through during the long period of quarantine in hmost countries in the world.
Covid 19; citizenship; solidarity; Barcelona; Bon Pastor; operation Mercedes; monument
Balconies for applause
Tatiana Carolia Chavez
The COVID19 crisis has redefined the way of life, production and work methodologies: however, during this period, the positive attitude of citizens has contributed significantly to overcoming the first part of the crisis, supporting the arduous work of farmers. , cleaners, transporters, bus and subway drivers, replenishers, supermarket cashiers, policemen, health workers, and health personnel, who have formed a first line of struggle to contain the virus and to this is added the discipline of the confined citizenry who have attacked their routines to show support for the courageous dedication of those who have allowed us to maintain everyday life in our lives.
The development of activities in the period of the COVID19 crisis, has redefined the way of inhabiting spaces; Obviously, the adaptation to new circumstances is a challenge, since the idea of public and private is reconceptualized.
Covid 19; citizenship; solidarity; Barcelona; Bon Pastor; operation Mercedes; monument
Rellotge de 20 hores
Nicolas del Real
Monumento en positivo. No es ni a las víctimas, ni a los héroes.
Es la conmemoración de un momento/acción específico, que reúne todo lo demás.
El aplauso de las 20hrs es la instancia en que la ciudadanía se agradece y anima a sí misma
• Las 20:00 serán el elemento central en la significación del monumento. Desde su concepción temporal o geométrica, la idea es conmemorar este acto ciudadano
• Lo que hoy es evidente u obvio, en 20 años puede no serlo tanto
Por otro lado, la abstracción conceptual exacerbada puede llevarnos a la perdida de legibilidad del monumento, característica fundamental del mismo (la conmemoración debe ser comprendida).
El objetivo es lograr que el monumento pueda evocar, no solo un momento cronológico, sino un momento humano
Covid 19; ciudadanía; solidaridad; Barcelona; Bon Pastor; operación Mercedes; monumento
Vol 62, No 7 (2020)
Adequacy of religious heritage buildings. A strategy for improving accessibility in the Historic Center of Puebla Mexico
Adriana Hernández Sánchez, Christian Enrique De la Torre Sánchez
In Mexico, there are few successful examples of improving accessibility conditions in historic centers. The relationship between daily activities, the recognition of human diversity and the conservation of heritage has not been conceptualized. It has not been understood that accessibility is a human right, above the aesthetics and prioritization of the monument, since there are old buildings that retain their original uses and daily affluence such as Catholic temples, which are also considered cultural sites and containers of heritage, art (movable property) and social practices with tourist attraction.
In Puebla, there is the experience of a participatory and inclusive accessibility project where five heritage buildings were involved. They are historical temples that form an itinerary due to their proximity and importance in the original area of the ancient city. In the first section, there is Santa Monica, considered a sanctuary that receives thousands of faithful every week, the former convent of Santo Domingo, where the Rosario chapel is located, and the city’s Cathedral Basilica, connected by the pedestrian street more important of the city, “La 5 de mayo”. Towards the south, completing the route, San Juan de Letrán, “El Hospitalito” and La Soledad are located, with the Amparo Museum near of them. All temples are ancient, dating from the 16th to 19th centuries.
During 2015 and 2016, through joint work between local authorities, universities and civil associations, in addition to the financial support of a local municipal entity and another international entity from the Chilean government, various elements were put in place to improve accessibility, like metalic ramps reversibles, and there were intervened pavements in atriums and accesses. Even in 2020, it is a project of territorial scope for the benefit of all, not only for people with reduced mobility, which allows autonomous and easy-to-use travel, even for those people who need to be assisted by another person, since the percentages of slopes on the ramps range between six and ten percent.
The methodology developed to the work was through the incorporation of an interdisciplinary team, Re Genera Espacio, which promoted the importance of reconverting these heritage buildings into accessible spaces, an action promoted before the custodians of the five temples, as well as establishing a diagnostic analysis of each case and develop the project, in addition to supervising the work in order to realize with local and international regulations and recommendations.
The project was well received by the custodians, after a long process of work, as well as by the rest of the population, which is reflected in a considerable increase in people with disabilities who come to the temples, whether they are parishioners or tourists, and other people with reduced mobility who make use of open spaces, such as atriums and streets. We emphasize that more interventions are required in other spaces considered less important. This is a first step towards more accessible cities, in this case a historic area, which requires urgent interventions to create accessibility networks. This work gave guidelines to other projects that have been developed by the team, not only with motor disabilities, but also with people with blindness and visual weakness.
Accessibility; historical centers; heritage; mobility; accessible route.
To access to manage the symbolic dimension. A citizen right
Antoni Remesar, Javier Vergel Faro
To give meaning to urban space is one of the most relevant activities to allow its conversion into public space, in turning sites into places. For this, it is essential to expand the concept of “accessibility” to the level of “symbolic accessibility” and understand it as one of the new urban rights.
The article develops the concepts of “symbolism a priori” and “symbolism a posteriori” as intervention strategies of meaning of the public space. The first responds to the usual operations from the administration, the second to the popular processes of appropriation of space.
Analysing the experience of creative participation – today in progress – in the Barcelona neighbourhood of Bon Pastor, the article raises the possibility of creating a meeting place between the two types of symbolism, through processes of co-production of public space, specifically its co-design.
Public Space; Public art; Co-design; Citizen participation; Bon Pastor; Barcelona
A new issue of On the w@terfornt, Vol 62, No 6 (2020)
Exploring Design, Site and Subject Matter vis-à-vis Public Art Engagement: Case Study of Āb-o-Ātash Park in Tehran
This article is the result of an exploratory research on public art in Āb-o-Ātash park in Tehran. It investigates the way the three elements of design, site, and subject matter affect audience engagement with public
The research has been conducted through qualitative methods, namely unobtrusive observations and surveys. Artworks have been identified based on specifications extracted from discourse analysis of the concepts of publicness and authorship in public arts.
Thereafter, characteristics of the visual samples have been processed through cluster analysis with respect to design, site, and subject matter in order to be compared, and related to the results of observations of audience engagement.
The results propose a correlation between subject matters of the artworks and audience engagement in Āb-o-Ātash park.
Tehran; Āb-o-Ātash; Design; Site; Subject matter; public engagement
Alicia Martínez Gil
In this article, we will examine the results of a brief study of citizens’ attitudes, while developing the degree of exchange and satisfaction that exists of street music in Spain.
The continuous regulations and the new use of urban spaces have added value street music as artistic and cultural category. The public, in addition to establishing the criteria surrounding this musical practice, exposes the problems of social coexistence that this activity generates.
Keywords Public Space; Street Art; Urban sociology; street music
Piotrkowska street is the centre of Łodz. A continuous axis of more than 4 km that runs through the territory from north to south. A long shopping street divided into two clearly differentiated sections. The first from Wolności Square to Centrum Piotrkowska (approx. 2km and cross section between 16 and 24m). The second from Centrum Piotrkowska to Niepodległości square (approx 2.2 Km and cross section between 25
and 30m). From the very beginning, the street was the central axis around which the city was developing, and its development spontaneously gave the present shape to its centre.
In the second section of the street, trams circulate and, despite having some important heritage facilities such as the “White Factory”, the former headquarters of the Karol Scheibler industries and today the
headquarters of the Central Textile Museum, it does not have the recognition that the first stretch.
The first section of the street is the one that appears in all tourist guides, is the commercial and cultural heart of the city, a favourite meeting place for Łódź residents and tourists. Here festivals, concerts, sporting
events, parties and fairs take place.
Piotrkowska street still is flagship of the urban regeneration processes in Łódź, along with Manufaktura, and the mega urban regeneration project Nowe Centrum, with the city’s new central station, the EC1 cultural
complex, and the expansion of the University of Łódź campus. Territory in which the Expo 2022 was to be developed, which will finally be held in Buenos Aires. Piotrkowska’s urban regeneration process clearly incorporates a public art strategy. The particularity of this strategy lies in its contents, specifically those who propose, manifest or emphasize the “pride of the city”.
Piotrkowska street; Lodz; Urban Regeneration; Public Art; Public Space