Cristina Pratas Cruzeiro

Art with Revolution! Political mobilization in artistic practices between 1974 and 1977 in Portugal


This article analyzes the relationship between Portuguese artists and bodies of power and the popular masses after the Revolution of 25 April 1974 and until 1977.

The analysis of this period in Portugal will consider the dynamics surrounding socially engaged artistic practices integrated in the public space, within its historic and social framework.

The article argues that the Portuguese artistic context under consideration arose from the politicians and artists motivation to bring art and the popular masses closer to the ongoing revolutionary process. In this approach, I identify collaboration as the most frequent attitude used by artists in relation to the political system and population. This approach decreased since 1976, at which time there was an increase in conflict with the political power structures. Regarding the relationship with the population, from that moment on there was also a decrease in the use of collaborative tools and an intensification of transgressive and provocative tools in artistic

These changes will be articulated in the article based on the country’s objective political and social conditions, and their influence on attitudinal nuances identified in the socially engaged artistic practices under analysis.


Daniel Carrasco- Bahamonde

Arte, Memoria y Territorio. Estudio de caso del proyecto “muralismo en mi barrio” en Huechuraba, Chile


La intervención mural del entorno urbano en Chile presenta una amplia tradición histórica. En el ámbito comunitario constituye una herramienta de mediación para la transformación material y la apropiación simbólica de espacios públicos que promueve la recuperación de áreas degradadas y el empoderamiento de las comunidades.

El artículo presenta una iniciativa de rehabilitación de un espacio público en la comuna de Huechuraba mediante una intervención mural del entorno y tiene como principales objetivos dar cuenta de la metodología de trabajo utilizada y los principales elementos gráficos que dan forma al mural, articulando en una experiencia transformadora arte, memoria y territorio.

 La metodología se apoyó en un enfoque participativo que integra procesos de diálogo entre actores del territorio, la reconstrucción de su historia reciente, el co-diseño de una propuesta gráfico-pictórica y la co-producción de un mural comunitario.

La iniciativa contribuyó a generar instancias de encuentro, diálogo y reflexión entre diversos actores, transformando el rostro de un sector estratégico del casco histórico de la comuna y promoviendo el empoderamiento de las comunidades, el patrimonio cultural y la identidad del barrio.


The Woman Builds. ‘Architecture Na Periphery’

  • Álvarez Domínguez Mónica EnriquetaUniversidad Politécnica de Madrid, Escuela Técnica Superior de Arquitectura
  • Angelique TrachanaUniversidad Politécnica de Madrid, Escuela Técnica Superior de Arquitectura

Participation for the intervention and transformation of the environment, in the case study Arquitectura Na Periferia”, is presented as an emancipatory way for women and to mitigate conflicts of different kinds in marginalized settlements.
This article studies the broader consequences of citizen participation and collaboration in practices that break the usual operational schemes of the architectural and urban discipline.
In this way, it is intended to carry out, at the same time, an evaluation of some renewed professional practices, reviewing the attitudes and action procedures and demonstrating the efficiency of the processes in which the people and communities involved grow and transform.


Searching for the center. First part

  • Remesar Antoni Universitat de Barcelona

This article, the first part of a series, reviews the idea of the ‘center’ of the city through an analysis of some utopian proposals, including Howard’s for the garden city and ends with an analysis of the polycentrality of the medieval city.

After a review of the evolution of circular and polygonal cities from an analysis of secondary
sources, artistic iconography, cartography of the early days of printing and images of Google Earth, introduces the discussion about the ‘ideal city by studying this concept in medieval scholasticism, especially in the work of Eiximenis, as well as the relationship of this ideal with the materialization of the medieval cities [1] of repopulation, valuing the relationship between the routes and the emergence of the urban center and [2] the study, with different
intensities, of important medieval cities: Siena, Bologna, Florence, Venice, Brussels, Krakow,
Naples and Barcelona.

In the case of these last two cities, the article focuses on the importance of the port and shore space, as a large public space in the city.


					View Vol. 63 No. 9 (2021): The icons and the city

Aesthetic Uniqueness of Public Space. Based on the Example of the Region of Łódź(Poland) Basic Terminological Issues

Jowita Mróz Doctoral School of Humanities. University of Łódź


The concept of uniqueness can be an important critical tool. But as related to architecture, buildings, or the entire architectural and visual landscape of the city it appears frequently in many different contexts.
One can state that describing objects in public space and even entire urban complexes in terms of uniqueness plays a marketing role – it increases the tourist attractiveness of the area – as well as socio-cultural role, because it helps to strengthen the city and build its community’s sense of identity. Indicating these goals or the intention to create uniqueness in the region of Łódź draws attention to another, more fundamental theoretical-linguistic issue, namely, what it means that something is unique.
Taking into account etymology, theoretical approach, as well as possible values attributed to ‛uniqueness,’ I will consider main terminological problems with the notion. Bearing in mind these basic theoretical-linguistic issues, I will consider whether there are unique objects in the city of Łódź and the region.
Trying to answer this question I will review phenomena and objects that could be considered as unique. Identifying possible uniqueness of the places and objects located in public spaces of the region of Łódź, I will consider what can create a unique panorama of urban space in Łódź and its region, and on what scale this uniqueness can be considered in order to avoid the feeling that in some sense everything is unique, or nothing is, because it imitates or resembles existing solutions, ideas in other cities of Poland or Europe.


The image of contemporary architecture of Wrocław depicted in recent tourist commercial and Internet media

Natalia Bursiewicz Pedagogical University of Krakow


The aim of the paper is to present the tourist and image potential of contemporary public architecture.
Wrocław was chosen as the research subject, as it is a historical center with an extremely rich architectural heritage, which has enjoyed great interest among visitors for centuries. With the announcement of Wrocław as the European Capital of Culture 2016, and then the European Best Destination in 2018, its attractiveness increased significantly, which was reflected not only in the number of visitors, but also in the advertising materials themselves.
Both before and after arrival, millions of tourists encounter a multitude of various advertising forms, both virtual and printed, which determine the direction of sightseeing and shape a specific image and perception of the city. In general opinion, Wrocław is considered a historic city, the most interesting places of which are concentrated around the Old Town and Ostrów Tumski. The Centennial Hall, built at the beginning of the 20th century, stands out from the „newer heritage”.
The idea of the study, however, was to answer the question whether contemporary architecture is used in any way in the current tourist advertisement of the city. Another goal was to identify and list the most frequently appearing objects from the adopted group, and to analyze the manner of their presentation. Based on the collected materials, efforts were made to assess the role of the media in creating a tourist product in terms of promoting local architecture in recent years.
At the same time, an attempt was made to evaluate the role of architecture in creating the city’s progressive brand. In the research, the author used the method of analyzing the existing statistical data, iconographic research and the method of analyzing the content of advertising materials, as well as scientific studies on cultural heritage and tourism in the city. The final part of the paper shows that modern architecture can be a significant element increasing the tourist attractiveness of the city.