Lodz University Press, 2016. ISBN 978-83-8088-151-8
Energy is the capacity of a physical system to perform work -this is the simplest definition of energy. Energy as a physical quantity is manifested in many forms -as heat, kinetic, mechanical, and chemical energy, or potential energy. In this book, metaphorically referring to the concept ofenergy, we wish to po int out that it is also possible to talk about aesthetic energy and that this concept is ver} useful in the discussion on the subject of the city. This energy in the context of the city can be understood in two ways. On the one hand, a given place with its ownaestheticnaturehasits ownpotentialofenergy.Afterall,the cityphysically, with its space, landscapes, architecture and art, is an object of permanent aesthetic experience. Can this potential be transformed into work? These aesthetic experiences make people abandon certain places and admire others; sorne cities fall, while others grow. The aesthetic object -and it should be noted that among aesthetic qualities we experience not only beauty or harmony, but also the sublime, tragedy, ugliness and kitsch -in itself, affecting its recipients, may become a source of specific exploitative but also creative activities. The other meaning in which aesthetic energy is understood is related to revealing the aesthetic aspect ofhuman activities. Are we not willing to perform some work in order to save the aesthetic experience or participate in it? It is not difficult to note that the movement of this energy in favourable conditions takes place in a circle: the energy ofplaces affects people’s behaviour and people create places full of energy.
CONTENTN
INTRODUCTION..
Agnieszka Gralinska-Toborek, Wioletta Kazimierska-Jerzyk
I. AESTHETIC ENERGY OF ART, IDEAS, PLACES AND HUMAN RELATIONS
NEW URBAN DECORUM ? CITY AESTH ETICS TO AND FRO
Antoni Remesar
URBAN SPACE : THE PHENOMENA OF UNFINISHED IN THE CITlES OF MONTENEGRO
Slavica StamatovicVuckovic
AESTHETIC ENERGY OF AN ORDINARY PLACE
Wioletta Kazimierska-jerzyk
STREET ART AND SPACE
Agnieszka Grolinsica-Toborek:
“DARLING LOOK! IT’S A BANKSY!” VIEWERS’ MATERIAL ENGAGEMENT WITH STREET ART AND GRAFFITl
Susan Hansen, Danny Flynll
CREATING AN ART TOURIST SPACE IN THE URBAN SPHERE OF LODZ -A THEORETICAL APPROACH BASED ON THE EXAMPLE OF THE URBAN FORMS GALLERY OF MURALS
Justyna Mokras-Grabowska
II. ENERGETIC BODILY EXPERIENCE
BODYCONSCIOUSNESS IN MODERN URBAN SURROUNDlNGS: FREERUNNING AND PARKOUR
Jakub Peiri
TWO FACES OF ART – PUBLIC AN D PRIVATE – IN JOHN DEWEY’S AESTHETIC EXPERIENCE
Ewa Chudoba
III.- AESTHETIC ENERGY OF MISSION AND PRACTICE
MURAL PAlNTING AND THE SPIRIT OF THE PLACE VERSUS GRAFFITI AND STREET ART
Halim Bensaid
SET FREE THE ARTISTIC ENERGY OF LODZ! THE EVOLUTION OF THE URBAN FORMS FOUNDATION
Jowita Mróz
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